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Paige Cunningham Paige Cunningham studied under
Sheila Cohen at Cincinnati's School for Creative and Performing Arts.
She received her B.F.A. from the Juilliard School and went on to dance
for the Merce Cunningham Dance Company, touring throughout Europe,
Australia and the U.S. Ms. Cunningham received an M.F.A. from the
University of Illinois at Urbana-Champaign and was chosen as one of
three choreographic fellows at Summer Stages Dance to create a new work
on students. She has taught at the Cincinnati Ballet, Alabama School of
Fine Arts and Boston Ballet among others. Currently, Ms. Cunningham is
a Visiting Artist at the Dance Center of Columbia College Chicago
teaching Contemporary Ballet, Modern and choreographing her own work as
well as setting a Merce Cunningham MinEvent on students. In the fall of
2008, she will become a full-time, tenure track faculty member at the
Dance Center of Columbia College. Paige is an active choreographer and
performer throughout Chicago and the Mid-West. Jacqueline M. Garcia
Jacqueline Garcia is a native of Albuquerque, New Mexico. She graduated
from the University of New Mexico in 2001, summa cum laude, with a BA
in Dance and from the University of Cincinnati with a Masters in
Business Administration in 2005. She will also be conferred with an MA
in Arts Administration in 2008 from UC’s prestigious
College-Conservatory of Music. While studying in Cincinnati, Jacqueline
worked intimately with Contemporary Dance Theater. She had the
opportunity to choreograph and perform in CDT’s 2003 Choreographers
without Companies concert. After this experience, she worked for two
years as the Assistant to the Director, under Jefferson James.
Jacqueline recently premiered her own evening-length concert at the
Wild Dancing West Festival in Albuquerque in June 2008. Jacqueline’s
choreographic works and collaborations have been presented in
Cincinnati by Contemporary Dance Theater, the Mockbee and the
College-Conservatory of Music; and in Albuquerque by VSA N4th Art
Center, Keshet Dance Company and the University of New Mexico’s Dance
Department. She has danced and choreographed with Blythe Eden Dance
Company and has worked administratively with Contemporary Dance
Theater, Dayton Contemporary Dance Company, and Keshet Dance Company.
Jeri Gatch Born
in Bloomington, Indiana, Jeri Deckard Gatch is a Modern Dance teacher,
choreographer, and performer. She earned her BS: Kinesiology from
Indiana University, and her MFA: Performance/Choreography from Temple
University where she also taught for 2 years. Jeri was adjunct faculty
at Virginia Commonwealth University in the Dance and Theater
Departments. Since moving back to the Mid-West with her Cincinnati
born husband, Jeri has worked through the Contemporary Dance Theater,
Growth In Motion, and performed with several local choreographers.
Jeri choreographed for a workshop at the Playhouse In the Park, lead
pre-school Creative Movement, was a Modern Dance faculty teacher at the
2002 Ohio Dance Festival, and guest teaches. Jeri was commissioned by
Miami University to set a new work on their company and she completed
an Artist’s Residency at Berea College in Kentucky. Currently, Jeri is
working at DeSales Elementary School through the Artlinks program, is
on the Board of OHDance, and a Journey To Adulthood youth advisor.
Supporting and inspiring all of her movement projects is Jeri’s family,
for which she gives thanks. She and her cyclist husband enjoy their
parents, grandparents, and friends and are embracing life and its
ongoing adventures with their children Lily and Lewis. Tricia Gelmini
Tricia Gelmini is a dancer, choreographer, and teacher. She received a
BA in dance from Antioch College and an MFA in dance from Smith
College. She is currently a member of the Cincinnati based dance
company MamLuft & Co. Dance. She lives and works in Yellow Springs.
Diane Germaine
Diane Germainegraduated New York’s Performing Arts High School and
became Principal Solist of the Paul Sanasardo Dance Company, NYC
receiving critical acclaim for roles in Fatal Birds, Metallics, The
Path, Shadows, and as poetess Anne Sexton in A Consort For Dancers (“a
superstar modern dancer…boneless as a shadow and in control of every
kinetic nuance,” New York Times). As Artistic Director of Diane
Germaine & Dancers, NYC she choreographed 25 works and received
grants from the NEA and CAPS for signature work Playground (“…a violent
sensual work….It hurls itself through the space rushing towards the
final denouement with a disconcerting fury," Soho News), and for
RadiOhio, Hotel Nicaragua, Archipel, and The Ocean Floor and Those Who
Live There. Commissioned works for Cincinnati’s Contemporary Dance
Theater included Lorcantos, I've Got a Crush On You, and Controlling
The Population. In 2000, Such a Landscape was created for
Choreographers Without Companies Concert and it was subsequently
invited to the Ohio Dance Festival Showcase where it received high
praise from critics (“…Traversing both comedy and tragedy in equally
compelling ways, the two sections performed, Grande Valse Brillante and
Taki Pejzaz, created memorably nightmarish tableaus.…(the) solo in the
section (Taki Pejzaz) was the most powerful of the evening," Columbus
Dispatch). Ms. Germaine was awarded a 2001 OAC Choreography
Fellowship, and a ‘01-‘02 grant from the City of Cincinnati for the
full-evening project Didi, a Life premiered in April 2002. She also
received grants from the City of Cincinnati and OAC for a full-evening
retrospective in December, 2003 which included the premiere of Fallout,
a revision of Playground, and a revival of Such a Landscape. Recent
works include: the poignant solo Rain (2002), Dust (2002) an intense
and devastating work created in response to 9:11, the sensual,
tuxedoed, and on its head Nighthawks (2003) Fallout (2004), So Little
Time (2004), the sexy, intriguing, haunting Fated Tango (2005), and
the beautiful, cerebral and quirky Monologue and Little Deaths (2007).
Ms. Germaine has been a Master Instructor/Guest Choreographer at
Universities all over the USA as well as for First Chamber Dance
Company in Port Townsend, Seattle and Walla Walla, abroad for Bat-Dor,
Batsheva, The Kibbutz Dance Company, Norsk Opera Ballet in Oslo, and
London Contemporary Dance Theatre at The Place. She acknowledges the
following individuals/studios contributing to her training:
Contemporary: Bertram Ross/Mary Hinkson/Ethel Winter from the Martha
Graham School of Contemporary Dance, Paul Sanasardo/Donya Feuer of
Modern Dance Artists, Inc., and Norman Walker; Classical: Edward Caton
at Joffrey’s American Dance Centre, Maggie Black, and Robin Howard. In
addition to choreography Ms. Germaine is also a writer. She was on
scholarship at Women Writing for (a) Change 2002-2004. She has read
her work on WVXU radio, at Walnut St. YWCA in Cincinnati, Woodstock
Jewish Congregation and the Poetry Society’s Open Mic Monday night
series in Woodstock, NY, and at Joseph-Beth Books in Cincinnati. Her
poem My One Girl appears in the October 2007 issue of Chronogram
Magazine. Ms. Germaine recently organized the premier “Small Streams”
concert series of Cincinnati Choreographers’ Collective, April 2008 on
which she premiered “NYC Density.” Ms. Germaine.is currently
completing her play entitled Not Yet, a funny, poignant two-character
work on ageing, and compiling the poetry for her first chapbook. Whitney Jacobs
Whitney Jacobs graduated in spring 2005 from Ohio University with a
BFA in performance and choreography. Since 2003 she has been a company
member in Azaguno (a professional West African dance and drum
ensemble), and has had the opportunity to perform nationally and
internationally throughout the U.S, Canada, and Taiwan. During the
summer of 2004, Jacobs received the Student Enhancement Award and the
Dean’s Undergraduate Research Award, which fully funded her to travel
to Ghana during a three-week intensive study course to further
investigate West African dance and music. Jacobs’s primary education
includes choreography, modern, jazz, and ballet techniques, dance
history, kinesiology and teaching. Jacobs was auditioned and cast by
Murray Louis to perform in reconstruction of Alwin Nikolais’, Tensile
Involvement, and has also appeared in works by Ursula Payne, Travis
Gatling, and Gina Gibney. She worked as the Studio Coordinator and
Jazz dance instructor at Contemporary Dance Theater. Currently she is
living in New York, where her work has been presented at the Dance
Theater of Harlem Festival, and at The Tank. She is also working with
accomplished choreographers such as Christopher Campbell and Jennifer
Archibald and performed at the Performance Project hosted by Dance New
Amsterdam. Ka-Ron Brown Lehman
Ka-Ron Brown Lehman - dancer/ teacher /choreographer, recently moved
from LA, California to Cincinnati, July 2007. Formerly was in charge of
the Artistic Direction of the Dance Department at the Los Angeles
County High School for the Arts, where she also taught Contemporary
Modern and Choreography, and was known for spotting talent, motivating
students, and helping students to unlock their emotions through dance.
Ms. Lehman’s twenty-one years at LAHCSA earned her the 2006 Alumni
Association’s Outstanding Arts’ Educator Award and a Distinguished
Teacher Award by the White House Commission on Presidential Scholars.
For her forty-three years as a dedicated dance educator. Ms. Lehman
received the American Choreography Educator Award in 2004, along with
nominations for Disney Teacher of the Year for 2005 and 2006.
Choreographically her achievements like Black Filmmakers Hall of Fame,
numerous musicals for C.B. Jackson’s Inner City Cultural Center,
Othello with Ted Lange, associate Choreographer to Joe Layton’s
Broadway, Rockín Roll-The First 5000 Years, commissioned works for the
Lehman Dance Company, re-staging of classic ballets such as Rite of
Spring, Firebird, Cinderella, a national commercial for Bayer Aspirin,
starring Ben Vereen, and numerous others, helped gain her notable
recognition. In 1993, Ka-Ron created the Annual Lehman Awards to honor
members of the dance community, and educate young dancers about their
pioneers’ rich legacy of dance. Ka-Ron dedicates this premiere work to
the dance community of Cincinnati and thanks them for their warm
embrace. Ms. Lehman invites you to view her resume at
myspace.com/lehmandance Jeanne S. Mam-Luft MamLuft&Co.
Dance is a modern dance company that has recently found a new home in
Cincinnati, Ohio. Director, Jeanne S. Mam-Luft is a choreographer,
photographer, and designer of many kinds (including architectural,
costume, lighting, scenic, graphic, and web). Her vision as an
interdisciplinary artist brings together the talents that contribute to
and comprise MamLuft&Co. Dance. She holds a Master of Fine Arts in
Dance from Texas Woman’s University and a Bachelor of Architecture from
Carnegie Mellon University, where she also studied scenic design.
Mam-Luft was born while her parents were escaping the Khmer Rouge
genocide; her experiences as a refugee and an immigrant have shaped her
artistic expression. Mam-Luft has been the recipient of significant
scholarships from Bates Dance Festival, as well as of American Dance
Festival. Her work has been funded by the Merck Corporation and the
Arthur Vining Davis Foundations, among other private supporters in the
Pittsburgh area. She has produced her work in Pittsburgh, Dallas, and
now, of course, Cincinnati. MamLuft&Co. Dance is currently
collaborating with video artist, Vince Linz, on several projects
including a dance-for-camera short film and (along with experimental
composer Michael Perdue) a collaborative evening for the Cincinnati
Fringe Festival. Judith Mikita
Judith Mikita teaches modern dance at the university of Cincinnati,
College Conservatory of Music. Recently, her choreography has been
presented at the Aronoff Center for the Arts, the Cincinnati Art
Museum, Cleveland’s Poetry not in the Woods Series, Miami University,
Interlochen Center for the Arts, The Performance and Time Arts Series,
and the Biagiotti Art Gallery in Florence, Italy. Judith toured
nationally with the Chicago-based dance companies of Shirley Mordine,
Jan Erkert, and Bob Eisen. She also worked with Martha Clarke
(Pilobolus co-founder) and Lucas Hoving (Jose Limon Dance Company
principle). Judith has served on the faculties of the University of
Chicago, Columbia College, and Antioch College and as guest
artist-n-residence at the University of Utah. Judith holds an MFA in
Dance from the University of Michigan and BA in Theater and Dance from
Indiana University. Her dance video, Palimpsest, made with video artist
Charles Woodman, was presented at the New York International
Independent Film Festival. Jan Van Dyke
Jan Van Dyke has wide experience as a producer and administrator as
well as artist and has set her choreography on a variety of artists
ranging from the Washington Ballet to students at the Western Australia
Academy for the Performing Arts in Perth. Currently Chair of the
Department of Dance at the University of North Carolina at Greensboro,
she is also director of the Jan Van Dyke Dance Group and produces the
NC Dance Festival, an annual showcase of regional work. She formerly
directed a studio and company in Washington D.C. for 8 years, touring
nationally with her company and as a solo artist. During this time, she
spent many weeks in Cincinnati, teaching and choreographing for CDT. A
1993 Fulbright Scholar, she spent one semester teaching dance in
Portugal and was awarded a NC Arts Council Choreography Fellowship in
the same year. In 2001, she was honored by the North Carolina Dance
Alliance for Contributions to the Development of Dance in this state.
Shawn Womack Shawn
Womack is a choreographer, performer and teacher of dance. From
1984-1999, she directed and choreographed for Shawn Womack Dance
Projects, a Cincinnati-based contemporary dance and performance company
that performed throughout the United States and the former Soviet
Union. Her choreography has been recognized with fellowships from the
National Endowment for the Arts and the Ohio Arts Council as well as
the 1996 Ohio Governor’s award in the category of performing arts. She
has taught as a guest artist at numerous colleges and universities
including University of California, Riverside, the Ohio State
University, University of Cincinnati and Ohio University. Her recent
choreography combines writing with ethnographic and historical research
to delve into issues of memory, place, and identity. In the past three
years, her work has been performed at Bryant College, Iowa State
University, Des Moines Playhouse, University of California, Los
Angeles, San Diego’s Sushi, and University of California, Riverside.
She holds a master of fine arts in dance from the University of
California, Riverside and is currently an assistant professor in the
Department of Theatre and Dance at Grinnell College in Iowa.
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