Maureen Fleming"Waters of Immortality"
![]() CONTEMPORARY DANCE THEATER
PRESENTS MAUREEN
FLEMING: “The Waters of Immortality” February 20
& 21, 2009, 8:30 pm Jarson-Kaplan Theater,
Aronoff Center for the Arts Tickets to Contemporary
Dance Theater’s presentation of MAUREEN FLEMING are $27 & $22; $17 students & seniors; ETA member benefits
apply. Tickets may be purchased at
the Aronoff Center Ticket Office at (513) 621-2787
or on-line at www.cincinnatiarts.org. "Watching choreographer and performer
Maureen Fleming is like watching a magician… [she] astounded the audience with
stunning imagery…part dance, part sculpture, and part dream.” - The
Baltimore Sun Cincinnati, Ohio: MAUREEN FLEMING’S “The Waters of
Immortality,” is a masterstroke of flowing, fluid physicality and
imagery. Maureen Fleming uses her
remarkably pliable body the way a painter wields a brush, transporting us by
the power of her images to new realms of myth and meaning. A master of Butoh, the minimalist movement
development in post-war Japan, Fleming creates a spellbinding form of
multi-media visual theater she refers to as surreal movement poetry. Her
collaborative performance will offer insights into notions of ‘immortality’ and question racial
hierarchies that often stifle human potential and divide peoples. “The Waters of
Immortality" is a multi-media tableau integrating dance, three-dimensional
video projections, still photography by the legendary Lois Greenfield, compositions
by Philip Glass, and Japanese bamboo flute music. Fleming transforms live performance
into a universal language that connects peoples, cultures, and art forms. She
provides a sensory examination of the feminine archetype
inspired by the evocative symbolism found in the writings of Irish poet W.B.
Yeats. Japanese shakuhachi master
Akikazu Nakamura and pianist Bruce Brubaker perform live as Fleming juxtaposes
her singular movement with three-dimensional video projections, surround sound,
and lighting by Christopher Odo. Through
Fleming’s intense and beautiful interpretations, audiences are drawn to
contemplating what is universal about the soul’s journey.
“Waters of Immortality” also poses a question to the audience regarding the future of mankind. The destructive waters currently threatening numerous species, including mankind, raises questions regarding the values that have lead to the creation of these waters. Through a seamless juxtaposition of art forms, boldly celebrating unrelenting discipline within the regenerative feminine, Fleming’s new work presents questions regarding contemporary notions of immortality and the values surrounding these notions. Fleming, an American born in Japan, has studied in depth with the masters of Japanese Butoh. With the discipline of a classicist and the imagination of an iconoclast her choreography explores the archetypal feminine through elemental solo moving images.
Musician Akikazu Nakamura studied under Katsuya Yokoyama and
several masters of the komuso shakuhachi tradition. While still grounding his
roots in the classical tradition handed down by komuso monks, Nakamura has
delved into different musical genres including rock, jazz, and contemporary
music and is one of the first shakuhachi players to make use of the circular
breathing technique, which enables him to breathe in as he plays the
instrument, thus ensuring a continuous sound. Acclaimed
for his subtle mastery of the classical repertory, Bruce Brubaker has become a
champion of contemporary American music, particularly the works of composers
Philip Glass and John Adams. Brubaker is creating a new role for the pianist.
He is highly regarded for his innovative programming, often combining music
with other media. “Maureen Fleming …seemed to transcend the material world and
enter a realm of pure spirit… wondrous choreographic metamorphoses.” - New York Times Maureen
Fleming’s performance is sponsored by the National Performance Network. Contemporary
Dance Theater's 2008-09 season is sponsored by the Otto M. Budig Family
Foundation. CDT receives funding from
the City of Cincinnati (arts grant recipient) The Carol Ann and Ralph V. Haile,
Jr./U.S. Bank Foundation, the Fine Arts Fund, the National Endowment for the
Arts, the Ohio Arts Council, the Charles E. Dater Foundation, the Wohlgemuth
Herschede Foundation, the William O. Purdy Foundation, and the Louise Taft
Semple Foundation, as well as individual donors. Contemporary
Dance Theater was founded in 1972 by Jefferson James and remains the only arts
organization in the Tri-State dedicated to promoting and presenting
contemporary dance. CDT operates a dance
studio and performance space in the historic College Hill Town Hall, 1805 Larch
Avenue, Cincinnati, Ohio 45224. For more
information call (513) 591-1222 or visit www.cdt-dance.org. |